Blog by Sumana Harihareswara, Changeset founder
Hi, reader. I wrote this in 2008 and it's now more than five years old. So it may be very out of date; the world, and I, have changed a lot since I wrote it! I'm keeping this up for historical archive purposes, but the me of today may 100% disagree with what I said then. I rarely edit posts after publishing them, but if I do, I usually leave a note in italics to mark the edit and the reason. If this post is particularly offensive or breaches someone's privacy, please contact me.
L. Sprague de Camp's entertaining Lest Darkness Fall moves really fast. This is probably true even if you haven't just read a 900-page Neal Stephenson novel. I nearly mentioned Lest Darkness Fall in my brain candy recommendations to danah boyd, but fear it's not trashy enough.
William Ball's A Sense of Direction is fantastic and as soon as I return it to the library you should check it out. As I suspected, it has a mix of great inside baseball on directing plays (e.g., three pages on how to structure and practice curtain calls so that actors don't get their egos in a twist) and transferable advice on managing creative folk.
We learn in threes. The first step of learning is discovering; the second step of learning is testing; and the third step of learning is pattern-setting.
The actor will learn to relinquish his fear when he sees that the director never causes another actor to be frightened.
...a question from an actor is not a question. A question from an actor is an innocent bid to draw the director's attention to something unresolved. When the actor asks a question, a wise director doesn't answer the question. The answer to the question is not in the director; the answer to the question is in the actor. Answer the question by asking another question. Allow the actor to resolve the difficulty. He already has the best answer in mind before he asks the question.
Always begin rehearsal on time. There are some directors who like to gossip and joke and waste the first ten or twelve minutes. This awakens a sense of sloppiness in the actor and gives him the feeling that the work is not important.
For future reference, I'm also a fan of advice on pp 58-59, 66, 102-104, and 108 of the 1984 edition.
This weekend (among other activities) I went to a fun party, watched a lot of Babylon 5, saw a friend's wife and new baby, read the de Camp, ate Leonard's excellent sour cherry cobbler, walked around a lot, filed a bug or two on Miro, and rented movies to foist on my fellow jurors this last week of grand jury duty. All this and I still spent hours dinking around on the Web. So there, anxieties!